Bodies emerge through fragmented images and photographic frames. Perception shifts with the viewer, shaped by framing and unfolding as a flux of images.
The narrative unfolds through sound: synthetic textures correspond to the visual structure, while blinking rhythms echo the instability of perception.
Bodies explores the human form as a shifting, material presence, where boundaries between body and environment dissolve. Drawing on Henri Bergson’s understanding of perception as fragmentary and subjective, the film unfolds through discontinuous, almost photographic impressions. The body emerges not as a fixed identity, but as a process shaped by movement, perception, and time.